Minute/Year

People talking in the space. The last audible presence of 2025 in the recordings of Minute/Year at ausland.

‘Shayo,’ by Priesst and Adekunle Gold, playing, during the night’s event.

People in the space react to the beginning of the recording, and then make some sounds. A spontaneous intervention.

People talking. An explanation of Minute/Year.

Speaking and singing voices.

A singing voice during the Cut.Loose workshop.

Anonymous intervention. Flute.

A question-and-answer session during the All The Rivers event is softly interrupted by Minute/Year.

Anonymous intervention. Noises, ringing bells.

A voice explains about Minute/Year, over the echoes of the previous days.

People singing in the space, as part of that evening’s Minute/Year event.

An introduction to Minute/Year during the F(r)ictive Frequencies event.

Sounds from the residency showing Boiling Water.

All The Rivers residency rehearsal. A person speaking. A description of an action.

Marcio saying hello to Kata.

People talking about the installation during the Radical Matters event.

People in the space, seemingly trying to make sense of the installation. Clapping, trying to interact, seeing what happens.

People singing, being interrupted by the recording process of Minute/Year. Someone then begins to explain about the work.

People in the space, talking; seemingly confused by the sounds. A spontaneous clapping intervention.

People in the space, talking about ghosts. Possibly as a result of being confused by the sounds suddenly appearing from Minute/Year.

A poetic intervention. Possibly part of the then-current ausland residency.

People confused by the sounds of Minute/Year.

Live sounds from the F(r)ictive Frequencies event.

Live sounds from the evening’s event.

The audience of the Minute/Year: Archival Accumulations event, clapping as per Angela’s instructions.

Pre-recorded audio of flamenco clapping by Angela Muñoz Martinez, played in the space by Tom. This was a preparation for the Minute/Year-related event the following evening.

Sounds from the Rebetiko Orchestra Berlin concert that evening.

Percussion sounds. Most likely set-up and soundcheck for the event the next day.

Kata saying hello at the Südwind event.

A spontaneous introduction to Minute/Year by Xenia Helms.